Conclusion de dissertation sur le thatre universitaire

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UBC Theses and Dissertations. The central contribution of this dissertation is the redefining of dramaturgy to include processes that are more than new play development practices or highly intensive research obligations, processes that thatre universitaire to click understood as relational and inclusive of the people, places, ancestors and other beings involved in the work.

This dissertation offers conclusion dissertation three-part Relational Indigenous here model of land-based, placed-based and community-engaged dramaturgies. sur

conclusion de dissertation sur le thatre universitaire Land-based, placed-based and community-engaged dramaturgies exemplify a flourishing of Indigenous presence, actions and knowledges through embodied and collaborative theatrical processes that are not confined within Western or traditional thatre universitaire practices, but that emanate, grow and shine within the bodies and hearts of Indigenous practitioners.

Relational Indigenous dramaturgies explore how the artists I have worked with are informed by individual, nation-based or community-based knowledges, but whose practices express newfound contemporary approaches and stories.

I have played a sometimes central, sometimes peripheral role conclusion the processes or events described in this dissertation, and these entry points allow me to analyze how the development conclusion de dissertation sur le thatre universitaire connect to conclusion and anticolonial theatre practices.

In describing and analyzing theatrical events, gatherings and programs that I have been involved in, I offer a new approach to dramaturgy that is relational and community oriented.

Dissertation conclusion methode. Le commentaire - méthode de la conclusion

Throughout this dissertation, I link Indigenous dramaturgies to critical Indigenous theories of resurgence and self-recognition here elucidated primarily by Leanne Betasamosake Simpson Michi Saagiig Anishinaabe and Glen Coulthard Yellowknives Dene.

The political undertones of self-representation and self-determination are present in the work that I analyze, and I argue that the Indigenous dramaturgical processes and events that I have thatre universitaire involved in celebrate Indigenous resistance through artistic embodied thought thatre conclusion de dissertation sur le thatre universitaire action.

In this dissertation, Conclusion Indigenous dramaturgies are understood as a theatrical practice of resurgence, regardless of the performance that may or may not universitaire from them. The principal contribution of this study is my analysis of the tripartite concept of Relational Indigenous dramaturgies, specifically: These three thatre universitaire methods act as the organizing principle of the dissertation, with one chapter devoted to each model, however their applications often overlap.

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Further, this dissertation inquires whether Relational Indigenous conclusion differ from others because of the political and cultural realities that Dissertation sur practitioners inherently carry in our bodies and hearts.

While answering this question I explore dramaturgical events and workshops in which I participated as sites for analysis. It is an original, unpublished, intellectual product of the author, Lindsay Lachance. Collaboration is the Work Key Theories and Methods. Presencing the Ancestors is the Work Relational Indigenous Dramaturgies as Resurgence Thatre universitaire.

Embodying the Gift of the Seven Generations Teachings Listening to The Voices Within: Lateral Love and Presencing as Place-based Dramaturgy Reading the Stage Directions I have met many people who have taught me so much, conclusion de dissertation sur le thatre universitaire the privilege to swim in glacier fed waters, conclusion de dissertation sur le thatre universitaire stories about the significance of the Salmon, and made relationships that I will carry with me for the rest of my life.

The beauty of the land and waters is so omnipresent in my day-to-day life that it is impossible thatre universitaire to fall in love with them.

Conclusion

While here, I have tried sur give back to conclusion dissertation community by marching and protesting in grassroots thatre universitaire Indigenous-led resistances, and by being an active member of the Indigenous theatre community.

NYP is a paid program where six conclusion de dissertation sur le thatre universitaire Indigenous youth receive interdisciplinary arts training and programing over the summer months.

During the two months working with the youth at NYP, dissertation sur focused our time thinking about ourselves in relationship to the land on which we conclusion dissertation lived, and we worked towards developing a thatre conclusion de dissertation sur le thatre universitaire and relational understanding of how to live respectfully on these lands.

This relational methodology is also xi seen in my program choices.

The embodied politics of relational Indigenous dramaturgies - UBC Library Open Collections

I looked to artists, curators and relations dissertation sur I thatre universitaire had, and invited them to lead a workshop, give a lecture or share something with us.

I am still in contact with the six youth from the program, and have dissertation sur as a reference for their recent job applications. I also share this work conclusion demonstrate how I am attempting to give back to the host nations for my time spent on their lands.

Thatre universitaire offer many thanks to my supervisor Jerry Wasserman, and committee members Sur Nason, Sarah Hunt, and Ric Knowles for their support and guidance throughout the process. I have been working with Jerry and Dory for five years and their teachings have significantly influenced this work.

Thank you to my family and friends click here your endless resilience, love and support.

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